Jam Chart for shows in the city of Seattle, WA (17 entries)
| Date | Song | City | Timing | Notes |
|---|---|---|---|---|
| 1991-10-11 | Seattle, WA | 11:35 | The jam, very much based on "Cavern," is pretty cool. Returns to "Bowie" for a solid wrap-up. | |
| 1993-04-05 | Seattle, WA | 13:38 | Excellent, very exploratory version that includes some "DEG"-like jamming. Well beyond "Stash" proper. | |
| 1993-08-25 | Seattle, WA | 9:39 | The old intro section is played again. Some cool Mike action on this version. | |
| 1993-08-25 | Seattle, WA | 14:48 | Yet another wildly exploratory August '93 "Stash." This one gets far from home, but doesn't quite gel cohesively. | |
| 1993-08-25 | Seattle, WA | 12:46 | A couple of short sections that stretch beyond "Possum," plenty of intense, improvisational "Type I" action, and incredible shredding. | |
| 1993-08-25 | Seattle, WA | 22:42 | Magnificent jam segment. Guest artist Baby Gramps joins the band for the vocal jam, which > to his "Nuthin' But A Nuthin'" aka "Mice And Bats." | |
| 1993-08-25 | Seattle, WA | 5:48 | > in from "YEM." Guest artist Baby Gramps joined the band for the "YEM" vocal jam, and then continue with a humorous rendition of his song aka "Mice And Bats," with Fish on vacuum. | |
| 1995-10-02 | Seattle, WA | 9:21 | Rocking outro turns serene and dreamy, then grows creepy and dissonant, and > to "Keyboard Army." | |
| 1995-10-02 | Seattle, WA | 11:35 | Near silence at the beginning of the jam, then listen carefully at 4:45 as Fish delicately and musically adds his Electrolux to the mix. The jam then kicks up several notches, and like 6/15/95, Fish seems to up the tempo slightly to add energy and power to this very fine version. | |
| 1996-11-27 | Seattle, WA | 9:10 | -> in from "Free." The jam takes a very different and interesting direction than most before getting back to "Theme." | |
| 1996-11-27 | Seattle, WA | 23:04 | Very improvisational, exploratory version that leaves "DwD" in the dust after 7:00. Several sections to this high quality version which -> to "JJLC" and includes a closing of "DwD" (straightforward, 4:26 duration) later in the set. | |
| 1996-11-27 | Seattle, WA | 14:28 | Page solo > Trey on guitar/vocal with "Brady Bunch Theme" teases > Page piano with Fish on vacuum > klezmer > chanting. | |
| 1996-11-27 | Seattle, WA | 10:46 | A solid but straightforward "Tweezer" melts into a jam on Aerosmith's "Sweet Emotion," and from there into a reprise of "DwD" which was played earlier in this show. | |
| 1996-11-27 | Seattle, WA | 1:48 | Part of a fun and funky "Tweezer," Mike drives the band into a heavy and plusing "Sweet Emotion Jam." The real highlight here, however, just might be Trey's incredibly cool crossover from "Sweet Emotion" and -> into the rocking "Down With Disease" reprise. | |
| 1996-11-27 | Seattle, WA | 3:27 | -> in from "Sweet Emotion Jam." The preceding "Tweezer" and "Sweet Emotion Jam" fit nicely together with this "DwD" reprise, as if one cohesive piece of music. Following a big, exploratory "DwD" earlier in the set, this reprise version brings closure to a great sequence of music. | |
| 2014-10-18 | Seattle, WA | 10:06 | Trey sits back allowing Page to lead the first half of the jam until the groove turns upbeat around 6:45. From there, Trey increases his role and brings it home with melodic leads before the > to "BDTNL". A really nice, atypical version. | |
| 2014-10-18 | Seattle, WA | 9:01 | A very solid in-the-box version, with strong Page in particular. At moments, it even sounds like Page teases the piano outro from "Sweet Home Alabama." |
Jam chart versions are selected because of improvisational and other characteristics that distinguish these from typical versions of the song.
The jam chart team has highlighted some versions with a yellow background; these are the versions the team believes to be especially improvisational, or otherwise notable.
A purple date indicates that you were in attendance.
The jam chart team has highlighted some versions with a yellow background; these are the versions the team believes to be especially improvisational, or otherwise notable.
A purple date indicates that you were in attendance.
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