, attached to 1996-10-17

Review by ZachDrums428

ZachDrums428 (Disclaimer: my reviews of shows are not affected my the quality of the bootleg recordings)

2001 was solid, an interesting start to a show. Definitely gives the feeling of “lift off!”. Once we’ve reached a cruising altitude, Funky Bitch seems like a true “start” to the show. All the members are shining on this one. Mike seems to be trying some new things vocally while Trey plays a furious solo while page brings some true funk in his.

After sparkle comes Tweezer. During the tweezer jam, Trey plays a lot of long sustained notes to slowly and more intently build tension. Part way through this, Mike adds dissonant counterpoint “melody” to create sort of a tug of war feeling with Trey’s playing. Page takes a lead near the end.

I don’t know if it was planned but there is an incredibly smooth transition from tweezer right into Theme, which still sounds slightly “unsolved” by the band at this point.

Talk sounded very new still and the vocal melody sounds pretty out of range fro Trey’s voice. However Page compliments this song very well.

Character Zero is fantastic in this recording. That band is definitely really excited to play this and having tons of fun as it was still new to them. It almost sounds like they’re teasing a vocal jam near the end!

Everything until Gin is pretty typical. Gin at this point is still played with disorienting rhythms to start and just gets darker and darker harmonically throughout.

Scent of a Mule has a cool spot where Trey does some vocal jamming alongside his guitar playing. Always found this song to be fascinating. Wish I knew more about it’s origins and the writing process for it.

Later in the set, the band debuts an a cappella Star Spangled Banner and is prefaced with the explanation that the Lakers invited them to perform it before a game. The crowd really seemed to love this... I mean who wouldn’t (;

David Bowie isn’t quite as shreddy as I’ve heard from some other shows before this tour. Trey plays with some more intention. There’s a very dark and spacey start to the jam, with Fishman not supplying much of a back beat, which creates a feeling of forever floating while the jam slowly builds with much discipline. Perhaps a hint at what was to come in 97’.

I’d give this show a 3.75 out of 5


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