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, comment by HarborSeal
The 4/8/92 Bowie is just off the charts good. Diverse improv, with an opening that's by turns playful and pretty, a long, tense, melodic minor key first jam segment, a long second jam segment that's funky with Mike playing a rather Foam-ish bass line, and then a quick pivot into an at-times weird weird but nevertheless fiery and satisfying closing jam. It should henceforward be recognized as one of the signature jams of Spring 92.
The 4/8/92 Bowie is just off the charts good. Diverse improv, with an opening that's by turns playful and pretty, a long, tense, melodic minor key first jam segment, a long second jam segment that's funky with Mike playing a rather Foam-ish bass line, and then a quick pivot into an at-times weird weird but nevertheless fiery and satisfying closing jam. It should henceforward be recognized as one of the signature jams of Spring 92.
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