Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
People - invariably - talk about the Went Gin. I understand why anyone would want to be a part of something like that; it doesn't get much better. But this wasn't that. This was, as you succinctly state, a musical sort of passage, with Trey thinking though ideas (here it might be nice for Mike not to be quite so thunderous - or to modulate/shift pitches).
Not sure what you mean, exactly, by dead end argument.
Even some Waste-style playing - extended - would sound cool. Like you I thought it was great - and Trey's run always reminds me of the Went Gin.
Cohesion, and not noodling in that space, I guess is what I'm saying. Or Trey erupting and modulating with more notes. But it was really cool. Some interesting syncopation, too.