@CorPhish said:

@stufunk said:

I'm very sorry to be critical, as I do appreciate the work you guys do at phish.net, but as a musician and music educator your statement about Tweeprise vs Tweezer make no sense musically:

Musically, D is four steps higher on the scale than A. So the underlying pitch for �Tweeprise� is higher than for �Tweezer,� and this elevation increases that sense of tension. Never forget that these guys are learned, well versed musicians.

Simply playing something "higher", on its own, doesn't add tension. Saying "the scale" is technically incorrect as well. What type of scale are you referring to? There are many. If you are referring to an A major then yes D would be the higher pitch in ascending order, But if it is a C major scale, then A would be higher than D when ascending the scale.

Either way, I bring this up because I enjoy the reviews on this site, but tend to cringe when I see the references to music theory because many of them are not true. Please be more careful in the future and keep up the good work.

Agreed on the music theory. To say that the D is four (whole-steps) higher than A is true but it is also 5(whole-steps) lower. It's not one fixed note. If they modulated from one key to another during a song, you might (might) "hear" some of what you describe. Starting it in a certain key (D, A or otherwise), would not register in one's ear unless one had perfect pitch. Even then, it would not provide the aural occurrence you describe.

Love the rest of the review though.

Indiana University and Manhattan School of Music theory'd

I never realized Tweeprise was in D and Tweezer is in A. When I see D and A together I first see a tonic to dominant relationship. If this were the musical intent of the band it's interesting to wonder that maybe, just maybe Tweezer (In A) is really a modulation to the dominate that is then resolved (In D) by Tweeprise. Thus being the motive behind the band "resolving" a show with Tweeprise that had Tweezer in the setlist. Hmmm.........