NOTE: This is hopefully the beginning of a regular Phish.Net feature where one of our esteemed bloggers will post a short paragraph or two containing their take on the previous night's show. We encourage further discussion and interaction in the comments section.
If Bethel2’s first set was a welcome departure from the 3.0 norm, Bethel3 was more of the same. The set wasn’t offensive or bad in any way; it was just unremarkable save for relative rarities like “Timber” and “Curtis Loew.” One minor outlier was the “OKP” > “Suzy,” which was especially feisty for a non-jammed out version. Unfortunately, the second set followed suit. The highlight was the “Simple” that went outside the box for a bit but did not match the beauty of the 1/1/11 version (never mind 8/6/10). The “Slave” closer was quite enjoyable – as “Slave” closers usually are – but was not enough to make up for the largely lackluster show. 3.0/10.
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Bethel 2 > Bethel 1 > Bethel 3.
there is just simply an order to everything. its all relative. Technically, if you were being true to the scale, 50% would be 5 and under. HALF!
like out of 50 shows, 25 would be 1, 2, 3, 4, 5. which seems negative, but its just being a more accurate scale of comparison so everythings not 9 and 10s. (which they all are in our hearts, but not always in our ears)
A long time ago on Rec.Music.Phish, a fan Scott Jordan proposed a show-rating-scale whereby a 5/10 rating would be a typically great, average-great, Phish show. Phish shows are basically always fun and "life changing" shows, after all, as @Peacey has noted above. But for obsessive fans who try to listen to every note Phish plays (or has played), the Scott Jordan Concert Review Poll Scale (aka SJCRPS) became an easy way to communicate -- to other knowledgeable fans -- what one's opinion of a particular show boiled down to.
A 3/10 Phish show isn't a bad Phish show. Let me repeat that. A 3/10 show IS NOT A BAD PHISH SHOW. Phish shows tend not to be "bad" of course. Such a show is just squarely below average, MUSICALLY SPEAKING, as far as those who listen to a lot of Phish are concerned. You don't have to agree, and indeed, I hope and encourage you to disagree in a thoughtful way, explaining why you think a particular show is closer to "average-great" (5/10) for example. But as @Lumpblockclod has noted, if 5/10 is average, you figure there should be a lot of 2's and 3's for every 8, 9, 10. And that's the thinking behind this rating scale.
Fwiw, I can't think of a single Phish show I'd give a "1" rating to, but I can think of a couple 10's. (Anyone who questions the majesty of Big Cypress is an asshat, btw. A royal f'ing asshat. It's a spectacular event in the history of rock music, not just Phish.) But there are a lot of shows that are still "fun" and "well-played" Phish shows that nevertheless have no top versions of tunes, and those are shows that deserve ratings in the 2-4 range, imo. I mean if you can't recommend that someone hear any version of any particular song from a show, that's not an "average-great" Phish show. Phish *routinely* plays a show with at least one stunning, "top" version of SOMETHING. They are an AMAZING BAND in this sense.
Also, IMO people who attend Phish shows tend to OVERRATE the music of those shows, not underrate it. Every Phish show has great lights and is enjoyable to attend, even if someone knocks a full $8 beer right out of your hand, or burns a hole through one of your favorite lot tshirts with their f'ing cig. It's the MUSIC that translates to "tape." Yes, there's an awesome authenticity to being at a show and basing your opinion about it on everything you experience at it. Of course. Duh. No question that that's critical and important. Period. But the non-musical elements of Phish shows tend to be remarkably similar show-to-show, whereas this isn't necessarily the case (and fortunately so) with respect to the improvisation in Phish's songs that improvise.
All this said is that you should take the ratings "worth a grain of salt" if you don't find them useful. But those of us who listen to EVERYTHING, and do so critically, will continue to find the SJCRPS useful and will continue to use it. My two cents.
I feel the days of categorizing Phish shows is at an end. I'm sure a couple of you will continue but no matter what number you give Phish, it's negative. Your completely missing the point of being a phan. You say you listen to every note, but it's obvious you are only hearing it. You're not listening because tire too busy thinking what it should/could be. Like I said, this makes me sad. I will keep an eye on this thread until it dies, then I'm out.
Look at the tour dates/locations. It's obvious the band is tired of our infatuation. It's become harder and harder to follow them. I honestly believe they don't want us to because we are unable to enjoy the shows as they want us to.
At every show I want to hear certain songs, but whatever songs are chosen by Phish, it ends up being exactly what I wanted to hear. You should get back to that vibe people.
But the rating system has been around since the mid-1990s and has been in use by a lot of fans since. If it doesn't matter to you, great. Don't use it. I'm sorry it makes you sad. I am not sad. I love Phish! I enjoy their shows! I spend a lot of volunteer hours on this website's content because I love Phish. What have you done for the community lately? Do you really think that "the band is tired of [the] infatuation" of fans? That doesn't seem fair to them at all. It seems to me that they continue to appreciate the love of their fans. They certainly don't need to keep playing for us at all.
Fwiw, I envy you that "whatever songs are chosen by Phish, it ends up being exactly what I wanted to hear." That's a wonderful sentiment! You can be "sad" that I haven't found that to be true since 1994, but please don't accuse me of "not listening" or imply that I'm less of a fan than you. I love Phish's music in my way, you love their music in your way.
And *any* time Ripcord Trey holds off to allow at least two or three minutes of Type II, I applaud, even if (on first listen, from 7 rows back) the Simple wasn't particularly successful. Cannot find fault with a Type II jam that failed to cohere, since it's so rare for them to give it a shot in 3.0.
http://bit.ly/liXEou
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And here is a thread soliciting scores in 1996 in which people raise some of the same objections to the rating system that have been raised in this thread:
http://bit.ly/mzH1tV
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So clearly this is a well-worn argument. Perhaps @lumpblockclod could have included a disclaimer that 5 is an average excellent Phish show, and that 3 is still a very good rock concert that was probably a blast to attend and fun on tape.
http://bit.ly/liXEou
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Cal Expo is the lowest ranked at:
9/27 Cal Expo 4.2 7 1.5
Assuming there is merit in comparing shows from different eras (which I would argue against). Do you *really* believe that this show is less entertaining than that show? I do not, FWIW. The 3rd night of Bethel is a typically solid Phish 3.0 show and blows 9/27/95 out of the water. ;=)
I was at the Cal Expo show in 1995 and it was one of the weakest Phish shows I've ever attended. Or heard. Based on what I've heard of the Bethel shows, each is more musically superior overall to that Cal Expo show. Is it fair to compare them? Well, they're Phish shows after all. Comparing Phish shows from various eras with eachother makes at least some sense to me, and I enjoy doing it and will continue to do it. I also sincerely believe that if one analyzes, say, every version of Mike's Groove, Tweezer and YEM ever performed, s/he will see that it makes sense to compare versions across time, if only to see not only how the improvisation changes from time to time -- but also how similar it may be. The 6/7/09 Camden Tweezer could fit right in to 1992-1994, for example. It's very "old school" sounding.
In any event, maybe I am misinterpreting you. Bottom line is that if someone thinks the rating is crap, then disregard it. There will ALWAYS be fans who disagree with any rating. There will ALWAYS be fans who view the show they just saw as better than "average-great." A lot of people just don't want to hear that anyone thinks the show they just saw was "typical" or "average" for a Phish show or, God forbid, below-average (GASP).
Of course, in an age when obtaining copies of shows to listen to is far, far easier for fans than it was when the rating system was created, it's utility is reasonably questioned. Some fans used to use ratings as a guide to whether they should marshall their resources to send blanks and return postage to obtain a copy. But I still find the rating system worth using, and entertaining, if only to inspire people to chime in thoughtfully about the music.
Hey, we were both at the show in San Francisco the year later. I thought that show was also somewhat below par. I'm sure that a lot of people would disagree - maybe you too? - but compared to many of the shows from that tour that I saw (Atlanta, Gainesville, West Palm, and even Arco Arena) it didn't measure up. Was it bad? Not a bit. Much better than an icepick in the forehead (a true 1). Much better than many shows I've seen of other bands, but a Phish show carries Great Expectations and they went unfulfilled that night (for me at least). I think this is also what happened to the third night of Bethel. People were hoping for a lot more and they got a standard show with a ripping Fluffhead, a well-played Slave that brings tears to the eyes of even dead people, and they came away disappointed. We got a Fluffhead in San Francisco too. I am so fucking spoiled it's nuts. What other band could do this?
But I still find the rating system worth using, and entertaining, if only to inspire people to chime in thoughtfully about the music.
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^ This. Exactly.
I think the ratings are silly but they do generate discussion. :-)