, attached to 2000-10-04

Review by The__Van

The__Van I've been dreading this one. Not a single jam chart mention and the longest song on the list is Reba at just over 14 minutes. Damn, will there be anything interesting about this show? After listening though I do have some thoughts. I think this is it. This is the show when it hit them that they were about to be done for who knows how long. 17 years of near relentless touring and making albums was about to come to an end.

Moma starts the show energetically enough but it's decidedly not one of the big '00 Momas. It's Ice comes in fairly well played with a spacey middle section and nothing else. Bouncing comes and goes as usual. Funky Bitch also another standard type 1 version with nary a flair. Then we come to Reba. In the midst of the jam I think is when they realize this is probably the last time they'll be playing song for God knows how long. The gradually becomes more and more intense but has a small bit of a foreboding energy to it. But the jam cuts off before the real peak comes. I could feel they were holding back something by the end. Dog Faced Boy serves as a quick pallet cleanser. Perhaps appropriately it's one of their few outright sad songs. Antelope starts up next to bring the set to a close and right from the start of the jam the mood has shifted. Fish lays down a beat with a sense of purpose that I haven’t heard from him yet this tour. Trey, Mike, and Page interweave a jam that is at once slightly ominous yet with some sunshine. The subtle note choices really drive it home for me.

Rock & Roll opens the 2nd set without the foreboding of Antelope but also doesn’t have much going for it. They pull out early and start laying down ambient effects as an intro to 2001. The one has a few moments of interplay between Trey and Fish but for most part is fairly average. Seems like at this point they’re still searching for something to really grab on to. Why they chose Sample to play next is anyone’s guess. It’s very average. Will Gotta Jibboo be where the set really takes off? No. But it is a very well played version. Would probably be more recognized if this was played in the first set, but we’re in the 3rd quarter here with basically nothing to write home about. A cool buildup lick to end the jam doesn’t cut it here. Bug tells me they’ve given up on this set... and yet Trey really goes after it with this solo. Hard. There’s some real passion in his playing. Almost like an apology for the rest of the show. I’m serious they play the shit out of this Bug. Listen to it. After that, does Hood have anything to offer? Besides the standard good Hood always gives, Trey comes up with some very pretty fluttery lines and goes after the peak like it’s his job, heh heh. I really feel him going after this peak just like with Bug. Cavern brings the house down one last time. Loving Cup gives just a little bit more.

Not a great show by any means. Not even a good show honestly. But I recommend the Antelope if you’re curious and surprisingly, the Bug too.


Phish.net

Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.

This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.

Credits | Terms Of Use | Legal | DMCA

© 1990-2024  The Mockingbird Foundation, Inc. | Hosted by Linode